In this video tutorial, we will enter the fantastic world of stop-motion animation with a simple crumpled paper.
The crumpled paper is perfect for your first stop-motion project: we all have access to the card and we can cropple it all. A quick disclaimer: while I'm going to use some semi-expensive tools for this project, you can actually create stop motion videos with nothing but a phone and a free app. The point is to focus on methods, not on gears.
So let's take a closer look at these methods.
One of the key aspects of a stop-motion animation job is to keep the camera still. As you can see in the example, the whole action moves in and out of the frame while the camera stays still. For this reason, it is important to have a solid platform. I'm using a tripod aimed directly at my sheet, which is on the ground. Not all tripods do this, so you may need to use pliers, C-mounts or a GorillaPod depending on the size of the camera. If you're going to take a lot of stop-motion animations, you can always build a rig overhead relatively cheaply.
Next, let's have a look at the lighting.
The quality of natural light can change rapidly, both in intensity and in color. If you stop the stop-motion using natural light, these subtle changes can give a nervous appearance to the animation. If you want something a little more uniform, then you should use the lights in a controlled environment. Whether you're using natural light or more lights in a studio environment, it's important to be aware of the placement. You can easily project a shadow onto the scene, which can ruin a single frame in a complex animation.
Now that we have our camera and the light setting, it's time to shoot!
As you may already know, the filmmakers capture the stop-motion frame with a meticulous frame. While the tripod will keep the camera still, simply press the shutter button to move the frame. To avoid this I tied my camera to my laptop via a USB cable. This allows me not only to remotely activate the shutter but also to review my images (through Adobe Lightroom). It is much easier to review images on a large screen. If you can not tie your camera, play with the camera's interval recording settings or purchase a remote control.
To create a blocky-style animation, I shot at 10 frames per second. If I want to get an animation of 5 seconds at 10 fps, I'll have to shoot about 50 images somewhere. To record this animation perfectly, I interrupt the shot in five different sections. Each of these sections will take place during 10 photographs.
- Move in the frame.
- It Contains.
- Move out of the frame.
Once fired, it's time to put everything together.
There are several ways to bring these images together in the edit room, but I'll use Adobe Premiere Pro. In Premiere Pro select File> Import, take the first image, then choose "Image Sequence" under Options. This will bring the images as video clips set to 30fps. Now I can take the clip and select Edit> Interpret Footage and enter the desired frame rate manually: 10 fps. This method is very versatile, as it allows you to quickly change frame rates and test various speeds and search for animation.
There! my animation is ready to go.
Are you looking for other video tutorials? Take a look at these.